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Kaupunki kuitenkin katosi nopeasti tuhoon ja sen historia on mykistävä. Kaupunki sijaitsi ylängöillä, jossa se kääntyi jyrkkänä mereen.

Pohjoisosa oli vuoristoaluetta ja eteläosa alankomaita, jonka tasainen, suorakulmion muotoa hahmotteleva ja vuorten ympäröimä Atlantis oli kiehtova maailma.

Kun vanhempi väki varttui ja sukupolvi vaihtui, samalla perintöaines väheni, atlantislaiset kyllästuivät hiljalleen yltäkylläisyyteen ja ehkäpä juuri ylpeys ja omistushaluisiuus sai heissä vallan.

Atlantislaiset halusivat lähteä suurelle sotaretkelle Eurooppaan. Ateenassa vallitsi tuolloin hedelmällisempi kulttuuri ja kreikkalaiset halusivat ahneuksissaan saada tämän kaupungin itselleen.

Zeus, joka oli ylijumalana tuolloin sai tarpeekseen pahan vallasta ja rangaitsi tätä kansaa ja kutsui jumalansa koolle, jossa hän puhutteli heitä.

Historian kirjat kertovat, että Atlantis vajosi meren syvyyteen maanjäristyksen ja tulvan saattelemana ainoastaan yhdessä vuorokaudessa noin 11 vuotta sitten.

Atlantiksen tarina on aikamoinen tarina vai mitä? Todella vaikutuksellista on miten Atlantiksen tarina on pitänyt ihmisiä otteessaan jo niin monia tuhansia vuosia!

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Ainakaan rapuja, kilpikonnia, meduusoja, simpukoita tai merenhelmiä ei puutu. Vielä tähän kaiken mysteerin keskelle on ujutettu viekas merenneito, jolla onkin varsin tärkeä rooli tässä slotissa.

Nimellä, jota kantaa Secrets of Atlantis eli Atlantiksen salaisuus on oletettavaa, että teema ulottuu jonnekin vedenalaiseen maailmaan.

Oletamme arvostelumme hetkellä paljon slotilta. Taustalla on kadonnut maailma raunioineen ja teema on vielä hiukan hämärä. Atlantiksen kaupunki näyttää dekantilta, hyljätyltä ja raunioilta kelojen takana.

Klassinen tuhansien vuosien arkkitehtuuri pilkottaa taustalla ja valokeila heijastuu jostain kaukaa meren syvyyksiin. Sukellamme siis pelaajana merenpohjaan aikaan johon tarvitaan yli 11 vuotta!

Vastamme tulee niin merenneitoja kuin muitakin olentoja: Designin puolesta, olemme lähes varmoja, että kehittäjillä on ollut todella hauskat ajat slottia tehdessä, onhan lopputulos todella spektaakkelimainen, suorastaa satumainen.

Eipä nuolaista vielä, tosin bonustoiminto kyllä on, mutta mitä se tarjoaa? Peli on kuvitukseltaan merenpohjan lailla kolkko ja pimeä ja hiukan salaperäinen teemaltaa.

Kaunis siniturkoosi merenpohja on kutsuva ja sen edessä on kelat, jotka pyörivät symboleineen. Merenneidolla on jotain mielessä, niin viekoittelevana hän hymyilee.

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More esoterically, the gesture suggests the raised phallus which is the main attribute of Pan and Shiva, and which denotes the resurrection or rising of the Phallic Star Ursa once again, now that the time has finally arrived.

And, above all, it denotes the resurgence of Atlantis and its lofty Pillar, as well as of its downtrodden races, in the Golden Age that is dawning.

Pan or Pani is the name of the Dravidians in the Rig Veda, the clever Dasyus of the lofty towers relentlessly destroyed by Indra.

The Panis are also the Panyar castes, worshippers of the banyan panyar , the tree that is the Tree of Life and the very emblem of resurrection.

This tree is the Indian figtree, Ficus indica grows inverted, downwards from the top of its dual, the Bodhi Tree of Knowledge the sacred figtree, Ficus religiosa.

All Biblical events are to be explained and understood as allegories not always decipherable. Palm Sunday is the one preceding Easter. It commemorates the triumphal entry of Christ in Jerusalem, when the people strewed palm branches before him John The symbolism of the palm tree branches as an emblem of victory is well attested in the Bible.

The palm branch is also a symbol of resurrection akin to the Golden Bough of Aeneas and of Diana Nemorensis the one of the lake in Ariccia that so intrigued Sir J.

The Christian martyrs often hold palm branches in their hands as an emblem of their expected resurrection at Doom. They, are the ones who acclaim the resurrected Lamb in the Celestial Jerusalem Rev.

This is a quote from Zacharias 9: But comparing with its equivalent in Jeremias Indeed, it represents the Ashvin twins and other such ass-headed Saviours Dadhyanch, etc.

The Branch is the palm tree that resurrects. Again, it also refers to the Phoenix, itself an allegory of Atlantis. In Greek as in other tongues the palm tree and the Phoenix are both named the same phoinix.

The Phoenix and the Palm are both considered as emblem of resurrection did Judeu-Christianism and, indeed embody a hidden allusion to the rebirth of Atlantis, the true Celestial Jerusalen.

Nabhas also denotes the navel nabhi or nave or axle or pivot, as well as the musk deer mriga-nabhi , the alias of the Pole Star and of the toddy cat.

The word also names the Yoni Lira and a Kshatrya. Tala denotes an expanse like the sky and, as we saw, a palm tree trunk tala.

Hence we see that, by confusing or playing with the words, one arrives at the ideas that of a tent or expanse of tissue nah supported by a pole tala.

Such images of Paradise as the Primordial Tent are also commemorated by the peculiar shape of the tents of the Germanic tribes, or those of the North American Indians teepees.

A further mythical wordplay concerns the Cosmogonic Marriage. The passages on the palm tree are repeated in Nehemiah 8: But the symbolism is the same.

So in Jeremiah They clearly stand for the Pole Star or, more exactly, for their succession as the eras elapse. In the oniric imagery of the Song of Songs the palm tree tamar in Hebrew figures prominently, as elsewhere in the Bible.

The palm tree is rather rare in Israel, as it does not withstand its mountainous, bone dry climate. It is only seen in the coasted region and the Jordan valley, and never in the region of Jerusalem.

Celestial Jerusalen is also the Primordial Heliopolis which is the true home of the Phoenix. We note also that many Egyptian temples had pillars of stone replicating palm trees, exactly as in the one of Ezekiel.

The Egyptian palm columns were later substituted by papyri stems, but the phallic symbolism is thereby preserved verbatim. The phallus here represented is that of the Monkey Vrishakapi or Hanumant , the animal whose phallus actually recalls an umbrella or a palm-tree.

In the Song of Songs 7: The Prince says to her:. He is here seen climbing the toddy palm in order to ravish its heart and steal its juicy soma toddy.

And he will throw down the leaves that he cuts off in this archetypal act of castration so laden with eschatological symbolism.

It is those leaves that cover the way of Christ when he rides the donkey the humble, phallic version of Pegasus into the Celestial Jerusalem of Heliopolis.

Israel, having very few palm trees, and no civet cats or toddy cats could never be rightfully called the Phoenicia, the Land of the Palm Tree or embody such archetypes as its symbol.

Indeed, the only place in the whole area that fits the requirements is Indonesia, as is visible by a study of the phytogeography of the region.

Besides, monkeys are notably absent in the Near East, and it is also hard to see how their mythology could have evolved there.

And, of course, the toddy cat is another animal that inexists in the region of the Near East we can only conclude that the Song of Songs originated farther east, in the Indies.

In fact, we analyze this problem in detail elsewhere, arguing in detail that both the Song of Songs and the Thousand and One Nights, indeed originated in the Indies, where traditions anchas those of the Ramayana and the Jatavas.

Hence, Atlantis both is and is not, having or having not reached its end, according to the point of view of those who believe in its resurrection or not.

Ganesha was decapitated when his head was burnt out by Shiva. His head was subsequently replaced with that of an elephant. The idea is that this head was really that of his phallus the palladium.

Typhon too was a serpentine dragon, like the phallus he imaged. This last name was used by Thomas Morus in his undue divulgation of certain secrets concerning Atlantis Utopia.

And he was beheaded for just that transgression. This is name of Shiva as the lofty pillar or mountain that supports the skies, cleaving Heaven and Earth asunder.

The word Atalas is essentially identical with the name of Atlas, another world-supporter. There can be no doubt that these two names have a common origin.

Given that the name of the Titan means nothing known in Greek, but is laden with hidden meanings in Sanskrit, the natural conclusion is that the Greeks copied the myth of Atlas from India.

Shiva as the linga or pillar that supports the skies is, perhaps, the most popular god in India. There, lingas made of rock crystal or alabaster are worshipped by the millions, exactly as is the Christian Cross in the West.

Indeed, the Crucifix is the image of Christ as the Purusha tied to the Cosmic Pillar, which is precisely the image of the phallic Shivalinga.

One day, Vishnu and Brahma were discussing who was the mightier of the two. A fiery pillar suddenly appeared before them which stretched up into the skies and down to the bottom of the Ocean.

Brahma assumed the shape of an eagle and flew up, attempting to reach the top of the pillar. Vishnu changed into a boar, and dived under the seas, reaching for the base of the pillar.

After a long time of unsuccessful exertion, the two gods returned and realized that Shiva, the Fiery Pillar, was the greatest of the three gods of the Trimurti.

One such appears in disguised form as the primordial Creation Act of Genesis 1: In the beginning God created Heaven and Earth.

The same conception is repeated in Gen. Where wast thou when I laid the foundations of the Earth?

Declare, if thou hast understanding. Tell who hath fathomed the measures thereof if thou knowest? Or who hath stretched the line upon it?

Whereupon are the foundations thereof fastened? Or, who laid the cornerstone thereof, when the Morning Stars sang together, and all the Sons of God shouted aloud, in joy?

Who shut up the sea with sluice-gates when it brake forth from its maternal womb? When I wrapped it up in a blanket of clouds and cradled it inside a dark fog?

New subtitle not specified which We quoted that remarkable passage of Job because it sheds a lot of light over the matter of Atlantis.

But we return to the discussion of the passages of Genesis 1 and 2 quoted above. In contrast the corresponding passage in Gen.

This can be seen from a close reading of the above passage and of others related to it Job The Separation of Heaven and Earth The idea is also that of fathering or manufacturing in the manner of a smith or an artificer.

The concept detailed in Job is also that of as slow and painful artificial creation rather than something as sudden and brutal as the Big Bang. In other words, the passage of Gen 1: In this way, Genesis is seen to conform to the other mythologies that tell of the Separation of Earth and Sky.

In particular this has to do with the limit those of India and of Egypt, as shown in pictorial form in Fig. This expression is a standard formula of the Rig Veda, whence it was taken verbatim.

Geb is the Earth god and Nut is the Sky goddess. Geb was considered the physical support of the world, a sort of Cosmic Pillar, akin to Shiva and Atlas.

It is interesting to note that Shu has both a twin sister and wife in Tefnut. Thus, the two were considered the primordial couple in Heliopolis, where Geb and Nut were considered their twin children.

Shu and Tefnut are frequently identified with the twin lions called Akher or Ruti, revered in Leontopolis and elsewhere.

The two were also represented as the Standing Serpent and the Coiled Serpent or, yet, as those of the uraeus. They also corresponded to the Solar and the Lunar eyes of the god Horus, a conception that originated in the Indies.

The Akher was often represented as a sort of serpentine lion with heads at the two extremities, which corresponded to the two extremes of earth, respectively in the Orient and the Occident.

These two lions also represent the twin guardians of the entrance and the exit of the underworld. The twin lions are also the ones of China, which we see guarding the door of their temples and palaces.

The Sarameyas are also triple-headed like Cerberus , and are the guardian-dogs of Yama and Yami, the twin kings of the underworld. The Egyptian Double-Crown and the Pillars of Hercules It is interesting to recall that the Egyptian double-crown was imaged after the linga, with the white miter atef of Lower Egypt penetrating the red diadem pschent of Upper Egypt, precisely as the linga penetrates the yoni in the Shivalinga.

The two crowns represented the two Pillars of the World, one a lofty peak Sumeru and the other a bottomless abyss Kumeru. They also correspond to the two Pillars of Hercules and Atlas, posted at the two extremes of the world.

Indeed, these two pillars are the Straits of Gibraltar and of Malacca, as we discuss elsewhere. Gibraltar is located at the exit of the Mediterranean into the Atlantic Ocean, and the Strait of Malacca is the equally narrow gate at the exit of the Indian Ocean into the Pacific Ocean.

This canal was first opened by the legendary Pharaoh Sesostris or even earlier. But it was subsequently closed due to silting up, and had to be reopened by others, including Pharaoh Neccho, King Darius of Persia, and Ptolemy Euergetes, not to mention the last one, Ferdinand de Lesseps.

They were guarded by Phoenician ships and by forts which blockaded the passages. These passages were the doors of admission to the Indies, whose lucrative commerce the Phoenicians jealously kept for themselves as a monopoly.

The Argonautica, the Odyssey, the Kalevala, the Periplus of the Erythrean Sea, and other such heroic sagas are encrypted descriptions of the secret route to the Indies.

In some accounts, two other Gates were added, one in the Bosphorus, exiting into the Black Sea, and one in Dvaraka, allowing the ingress to India.

These attributions were sometimes interchanged or altered of even extended to seven, or eight with the inclusion of Hormuz Strait and the Suez Straight.

These four or five or seven were often called The Four or more Pillars of the Earth. Even the Strait of Bering and that of Magellan were known of the ancients and often figured in their secret maps of the Four Pillars of the World, as we discuss in detail elsewhere.

They were guarded by lofty lighthouses — the tall towers described as the Tower of Babel or as the Pillars of Hercules and Atlas — which scraped the bottom of Heaven and menaced its integrity, as so vividly portrayed in Fig.

An early Egyptian tale also records how a sailor, on his way to Punt or Amenti the Egyptian Hades , also met a Standing Serpent who was the king and guardian of the region of Paradise described as a sing island identify Atlantis in all details.

The King Serpent took a liking to the sailor, and gave him a fabulous treasure of gold and gemstones. More frequently, however, the Cherubs or Karibus would resist all intruders, and routinely impaled them as a warning to trespassers.

A cock — very like the weathercocks seen surmounting Christian churches — is shown impaled upon its top as if to suggest its identity with the Cross and the impaling stake it replicates.

The standing scorpions are the same as the Scorpion Men of the Epic of Gilgamesh, a fact that demonstrates the essential unity and continuity of the Judeo-Christian and the Pagan traditions.

This name is also applied to the phallus and to the impaling pole, and we see how the Karibu — whose function is precisely that of the scarecrow so often represented as a man impaled on a pole — very probably denoted the penalty of impalement applied by the Phoenicians on whoever dared to attempt to cross the impassable barriers they imposed on the two accesses to the Outer Ocean.

Among the many etyms of the word Cherub — and they all add in composing the myth — one of the most interesting derives from the Dravida. We noted how the name of the Cherubs or Karibu is related in Genesis 3: Indeed, the Dravidian car denotes a whirling object such as a lighthouse, a flashy sword an inflamed phallus, a car or cart, a wheel, a whirlpool, etc..

The idea of whirling associated with fire or gold or rubies evokes the shiny Mt. Meru, the Whirling Mountain flashing with gold and gemstones.

It also recalls Mt. The word karibu or kar-rubi also evokes the Solar Wheel, the karu or karuvi or impaling pole where criminals were impaled, just as Christ was immolated on the stake or Cross.

Scylla and Charybdis, the Twin Guardians of Hades Indeed, the word Charybdis likewise relates to Cherubs, and also denotes the Whirling Fire or Whirlpool that sucked down the ship of Ulysses and almost killed the Hero himself.

Scylla, its dual, was a lofty pillar guarded by a monster, and was as terrifying as Charybdis itself. The twin terrifiers, Scylla and Charybdis, are allegories of the two Pillars of Atlas and Hercules posted at the two extremes of the world.

As we show elsewhere, the two monsters of Homer are close parallels of the Fiery Linga and the Fiery Yoni of the Hindus, also identified there with the Vadavamukha and the Fiery Pillar or, yet, with the Sumeru and the Kumeru, the sites of their two Paradises.

In some Hindu myths, these Twins are represented as Kubera and Yama, and are shown impaled upon their lofty Pillars, as the archetypes of Christ and Adam, whom they prefigure by several millennia.

Meru; of the impalement of the heroes on the Solar Wheel of the whirling chasm of Charybdis sucking Ulysses down to Hades; of the fiery whirling swords of the Cherubs who guarded the way to Eden; etc.

The odds against the possibility of a random coincidence are too enormous to even consider seriously. According to the historian Hist.

His death sentence was commuted, at the instance of his mother a relative of the king , to the circumnavigation of Africa. Sataspes departed from Egypt, reaching for Gibraltar and the Mediterranean.

But he failed and returned before the rounding of Africa, and was, hence, executed on the impaling pole. The story of Herodotus is probably an allegory, telling of the death penalty imposed by the Phoenicians on whoever attempted to cross the Strait of Gibraltar the Pillars of Hercules and, hence, undertake the route to India by the rounding of Africa.

A similar death sentence was likewise imposed by the Phoenicians on whoever attempted to cross the Strait of Sunda or Pillars of Atlas , at the entrance of the Pacific Ocean, on the opposite side of the world.

Clearly, they indicate both the way to reach India, and the high toly price of the impediment of the attempt. The word caravela was taken, by the Portuguese, from India, where they also obtained the design of such fast, efficient ships, that allowed their excellent mastery of the high seas.

This remarkable passage suggests a lofty pillar, too tall and too deep to fathom, and too thick to girdle with a string.

Atlantis was both the queen of the seas and the home of the original Phoenicians or Reds , the great navigants ever, after the times of Atlantis.

The Book of Job is deemed the earliest in the Bible, and is hence a reliable though difficult source of early myths and pristine traditions.

But the type of myths, traditions and doctrines is so typically Hindu as to leave no doubts about its ultimate Indian origin. And this seems to imply, at least to us, that the myth of Atlantis, true or not, is verily of Indonesia origin.

Though difficult and obscure, the Book of Job is one of the most profound and disturbing testaments in the Bible, as well as, perhaps, its most beautiful one.

It provides a reliable source and foundation for the matter of Atlantis, one that is subscribed by God himself. A further quote from that remarkable book The passage refers to a circular island surrounded by a circular dike and canal, which was placed in the confines of the world, and was later sunk underseas, becoming an abomination.

What else but Atlantis? We concisely annotated the translation in order to render it more understandable:. The dead giants Rephaim writhe with fear under the earth, And so the waters of the abyss and the inhabitants thereof.

He hath placed Septemtrio over the devastation, And supported the Earth upon the void… He hides the face of his throne, Spreading his clouds upon it.

He has traced a circle above the waters At the boundary of Day and Night. The Pillars of Heaven quake, Swirling at his command.

His breath has cleared the skies, And his hand has pierced the Coiled Serpent Leviathan. The might of his thunderbolt, who can understand?

The Darkening of the Skies Some versions precede the first two verses by These above passage merits some discussion. The darkening of the skies is an usual attendance of Doom, and can be traced to the famous Kumarasambhava of Kalidasha, and to the Rig Veda and other Holy Books of India.

Why do the skies darken and the stars fade out at Doom? Because of the dust thrown up into the stratosphere by the volcanoes and earthquakes that attend the Flood.

What is the mighty thunderbolt of Jahveh? They are the dead Atlanteans, the ancestors of the gigantic Todas of India.

As the passage shows, there are two such places, respectively called Abbadon and Sheol, corresponding to Hades and Tartarus and to Atlantis and Lemuria.

Septemtrio is Ursa Minor, the Polar Constellation. Here, it marks the site of the destruction. We recall how Paradise — the equivalent of Atlantis and Lemuria, as well as their Holy Mountains — is invariably placed under the Pole Star in essentially all mythologies.

The idea derives from the Hindu Tripura, the city of the devils, destroyed by Shiva. Tripura is also the archetype of the Celestial Jerusalem of Revelation, as well as its dual, the Messianic Jerusalem submerged under the seas.

The clouds of smoke that hide away the site of the throne of Jahveh and darken the skies over it is another recurrent mythical motif of the ancients.

In reality the text refers to the immense clouds of dust and smoke generated by the cataclysmic explosion of the pristine Mt. Atlas or Kumeru, the volcanic peak of Lemurian Atlantis.

There a new day conventionally starts when the Sun crosses its zenith. These two are often identified as the Pillars of the Earth, which they support at the two extremes.

They also correspond to the two giants, Atlas and Hercules, the two Titans who perform this task for the Greeks. The Coiled Serpent, Leviathan, closely corresponds to the likewise rounded discus of Vishnu, a sort of circular vajra.

The Standing Serpent and the Coiled Serpent are allegories of the two Holy Mountains, one of which exploded and turned into a circular volcanic crater or caldera, deemed to be the entrance to Hell.

The noise of the explosion is narrated in several Biblical passages, as well as in innumerous Hindu Holy Books. Sumeru, which falls down as a sort of meteorite from the skies.

This fact is shown in detail in our discussion of this remarkable arcane. This vajra is either a Celestial meteorite or a giant volcanic bomb falling from above the Holy Mountain.

They are, at the Terrestrial level, the wall or dam that encircled Atlantis, and the lofty tower called the Pharos or yet, Mt. The Pharos or Lighthouse is the Phallus, the Shivalinga.

And the Coiled Serpent that girthed it is the Yoni, the dam that kept away the seas and protected the Holy City, precisely as affirmed in the text of Job.

The giant Rephaim are an actual people, the ancestors of the Palestinians and other ruddy races that preceded the Aryo-Semites almost everywhere.

They are indeed, the Atlanteans, the rakshasas of Lanka buried underground in Hades or Patala. The Coiled and the Standing Serpents Septemtrio shining over the devastated Atlantis is really an anachronism or an intentional misunderstanding.

Septemtrio is really its dual, the other Pole Star, that of the Linga. Septemtrio is the constellation of the Standing Serpent Rahab , the Pole Star that rules the present era.

At the epoch of Atlantis doom — some 11, years ago — it was Lyra and not Ursa that shone its light upon the dismal scene.

Perhaps the Book of Job is really talking of two different eras and two different Atlantises, one destroyed about 11, years ago Atlantis and the other at about 25, years ago, when Polaris was, as today, the Pole Star.

It is clear that Atlantis was built — as are indeed many other Holy Cities patterned after it — as an image or replica of the skies. The inner ring represented the Polar Circle and the outer, immense one the zodiac.

Atlas represented the Polar Axis, and was tangent to this circle. The ring and the tangent straight line are the attributes of Shamash, the Sun God and of his many aliases, both male and female.

The two objects of the Sumerian Sun god then represent the passage of the eras and of Circular Time, of which Shamash was the Lord, like Shiva.

There can be no doubt about this interpretation, as we show elsewhere. Besides, what do these two peculiar forms represent but the Linga and the Yoni?

These two represent the two Pole Stars and are the supreme i. More exactly, the circle and the tangent straight line represent the Polar Circle and the Polar Axis whirling away the eras on the skies, according to the Precession of the Equinoxes.

This clear-cut image is an irrefutable proof, among many others, that the ancients knew of the Precession of the Equinoxes far before their rediscovery by Hipparchus.

Of course, the gods are not really the Pole Stars, but only the principles behind the image: The two are the two forces or principles that dictate the eras and the fate of Mankind both in the past and in the future.

Abbadon or Apollion is the angel of destruction, the archetype of Apollo. As such, he is Arjuna, who, together with his twin Krishna, the other archer the one of the Golden Bow , destroyed the world.

This destruction of the world is allegorized in India as that of the forest of Khandava, in the beautiful myth entitled The Incending of the Forest, told in the Mahabharata.

The void here means two things. Atlas scraping the skies and penetrating its cloudy canopy as a sort of linga. God is elsewhere described as sitting upon the tip of Mt.

Atlas or Calvary or Kailasa not only in Job and other books, but, indeed, in all mythologies. The Hindu Origin of the Myth of Atlantis.

Introduction The most fundamental technique for decoding myths is to study the several etyms of the toponyms and theonyms that figure in the story, as well as those of the assonances which lend themselves to wordplays with these names.

The Fabric Myths Are Made Of As we said above, in the present work we play with some of these sacred radices in the manner of the ancient bards and mythographers who composed the myths of Atlantis and Paradise.

She is clad with an armor the aegis , and wields her lance and shield both missing the figure. She wears a loose peplos wide dress decorated with snakes.

The Gorgon Medusa represents the Vadava-mukha, that is, the goddess in her most terrifying aspect. The snakes embody her relationship with the Nagas.

And Pegasus represents her relationship with horses Hippias and, again, with the Vadava, the terrible Fiery Mare. The peplos, with its plaits undulating with the wind, represents the crust of the earth shaking under the effect of the formidable earthquake that destroyed Atlantis.

This piece of bread is offered as an oblation, along with soma, in a sacrament which is the clear counterpart of the Christian Communion. The radix ad also gave words such as adri, the stone or grail used in Soma preparation.

Adri is also a name of the vajra. This etym is extremely important, as it links Atlantis to the fall of the vajra and to the Eucharist or Host. The Occult meaning is precisely the same in both cases: This is the same as Mt.

Calvary, legendarily formed in the same way as Mt. Meru and many other Holy Mountains of Paradise, in diverse mythologies.

This mishap is also ascribed to Jesus and to Krishna, his Hindu archetype. And the assonance with Atlantis adhara denotes precisely the same, with a correlation with Hades, the Bottomless Pit, and the Yoni of the Earth.

Atlas too tall, exceeding allowed limits. This story closely evokes the one of the Tower of Babel. Adam, Lucifer, Prometheus and many other pristine civilizing Heroes are also blamed with the same fault, that of excessive arrogance.

The idea is that Atlantis fulfilled its era and was hence doomed to destruction, as are all things both evil and good. In real terms, the sin of hubris of Atlantis seems to have been that of excessive population, excessive pollution, excessive consumerism and excessive pride in treating the lesser brothers.

These are also the sins of our own era, as is becoming evident. Are we to follow the fate of Atlantis and meet our end soon?

Such etyms are frequent epithets of Purusha and his many counterparts. Dialectically, they recall the King of Tyre of Isaiah ch.

Tyre is there further described as a harlot; a haughty nation, burnt down and turned into a pit; a dealer in ivory and ebony, spices, gemstones and myrrh exclusive produce from India ; the Holy Mountain of God, turned to ashes and then flooded by the sea; etc..

So, Atlantis can well be the Attar-anti or Atta-anti, i. The Hindu archetype of Atlantis was called, in India, Kushathali or Kushasthali, an etym which we will study later in this text.

A variant of this name is Attasthali or Attatthali, all of which are assonances of Atlantis. The idea is that Atlantis Attasthali became Hades, covered with mist or smoke and turned invisible the very etym of Patala and Hades.

And Dionysos, we repeat, was recognizedly a Hindu god, a fact that again shows the Indian origin of the myth of Atlantis.

This etymology is the one behind the universal myth of the Great Mother that gave birth to the Sun, but was terribly bunt by thereat.

It can be appended to all the above etyms to improve the assonance with Atlantis. More exactly, this suffix apparently derives from the Dravida tix meaning more or less the same as the Sanskrit desha and, more exactly as dvipa, that is, a sinky island.

The word names a particular constellation which is indeed Ursa Minor, the Celestial Linga. These are the fiery ones who atoned for the salvation of all men.

More exactly, it refers to a volcano, whose smoky plume serves as a sort of lighthouse to guide navigants on their way, like the one who guided the Hebrews in their way out of Sinai.

Tisiphone is the same as Persephone, whose name means the same. More exactly, she is the Fury who punished murderers in Hell.

Tisiphone is connected to many legends related to the myth of Atlantis. The Egg of Brahma The story of the Egg of Brahma — really two eggs, like those of Kronos, in Orphic mythology — esoterically refers to the Primordial Castration of the Androgyne, a recurrent mythical motif.

The two eggs or embryos are the two Paradises where humanity was primordially hatched from the apish ancestors that originated in Africa.

Sometimes the twin eggs are represented as the twin halves of the Yine Yang, one black, the other white. Both etyms refer to Atlas or Atlantis as the first, godlike nation.

The Gates of Paradise Ata denotes the frame of a door. Dvaraka is the true archetype of Atlantis, as we shall see further below.

More than pure legend, the capital of Krishna indeed existed, and its remains were recently found by Indian archaeologists in the Indus Valley, near the site of the famous prehistoric civilization of Harappa and Mohenjo-daro.

This antipodal land of Antichthon figured, from remotest antiquity, in maps such as that of Hecateus of Miletus and others known to Plato and Herodotus.

The origin of the concept can, as usual, be traced to the ancient geographical treatises of the Hindus, which indeed derive from Atlantean traditions.

In fact, many modern scientists postulate such disequilibrum as the cause of Pole Shift. Though their actual dates are relatively recent AD or later , the originals on which these authors based themselves actually date from Atlantean times.

The Hindu doctrines were known to the Greek philosophers, who traditionally went to India to be initiated into this esoteric knowledge.

Very often, misunderstanding the Hindu dvelms, the Greek philosophers transformed them into their absurd Cosmogonic conceptions such as those of Thales, Anaximander, and Heraclitus, among many..

We can see in a pep how India was the Antilia or Anti-ilis or Anti-ilia , the legendary antipodals of Europe.

The true site of Paradise lay, not in America, but in India. Atlantis is thus seen to be Yama, the twin who was killed by his own brother, who is no other than Hercules.

However, the above should suffice as the most pertinent for the present end.

Geb was considered the physical support of the world, a sort of Cosmic Pillar, akin to Shiva and Atlas. It is interesting to note that Shu has both a twin sister and wife in Tefnut.

Thus, the two were considered the primordial couple in Heliopolis, where Geb and Nut were considered their twin children. Shu and Tefnut are frequently identified with the twin lions called Akher or Ruti, revered in Leontopolis and elsewhere.

The two were also represented as the Standing Serpent and the Coiled Serpent or, yet, as those of the uraeus.

They also corresponded to the Solar and the Lunar eyes of the god Horus, a conception that originated in the Indies.

The Akher was often represented as a sort of serpentine lion with heads at the two extremities, which corresponded to the two extremes of earth, respectively in the Orient and the Occident.

These two lions also represent the twin guardians of the entrance and the exit of the underworld. The twin lions are also the ones of China, which we see guarding the door of their temples and palaces.

The Sarameyas are also triple-headed like Cerberus , and are the guardian-dogs of Yama and Yami, the twin kings of the underworld.

The Egyptian Double-Crown and the Pillars of Hercules It is interesting to recall that the Egyptian double-crown was imaged after the linga, with the white miter atef of Lower Egypt penetrating the red diadem pschent of Upper Egypt, precisely as the linga penetrates the yoni in the Shivalinga.

The two crowns represented the two Pillars of the World, one a lofty peak Sumeru and the other a bottomless abyss Kumeru. They also correspond to the two Pillars of Hercules and Atlas, posted at the two extremes of the world.

Indeed, these two pillars are the Straits of Gibraltar and of Malacca, as we discuss elsewhere. Gibraltar is located at the exit of the Mediterranean into the Atlantic Ocean, and the Strait of Malacca is the equally narrow gate at the exit of the Indian Ocean into the Pacific Ocean.

This canal was first opened by the legendary Pharaoh Sesostris or even earlier. But it was subsequently closed due to silting up, and had to be reopened by others, including Pharaoh Neccho, King Darius of Persia, and Ptolemy Euergetes, not to mention the last one, Ferdinand de Lesseps.

They were guarded by Phoenician ships and by forts which blockaded the passages. These passages were the doors of admission to the Indies, whose lucrative commerce the Phoenicians jealously kept for themselves as a monopoly.

The Argonautica, the Odyssey, the Kalevala, the Periplus of the Erythrean Sea, and other such heroic sagas are encrypted descriptions of the secret route to the Indies.

In some accounts, two other Gates were added, one in the Bosphorus, exiting into the Black Sea, and one in Dvaraka, allowing the ingress to India.

These attributions were sometimes interchanged or altered of even extended to seven, or eight with the inclusion of Hormuz Strait and the Suez Straight.

These four or five or seven were often called The Four or more Pillars of the Earth. Even the Strait of Bering and that of Magellan were known of the ancients and often figured in their secret maps of the Four Pillars of the World, as we discuss in detail elsewhere.

They were guarded by lofty lighthouses — the tall towers described as the Tower of Babel or as the Pillars of Hercules and Atlas — which scraped the bottom of Heaven and menaced its integrity, as so vividly portrayed in Fig.

An early Egyptian tale also records how a sailor, on his way to Punt or Amenti the Egyptian Hades , also met a Standing Serpent who was the king and guardian of the region of Paradise described as a sing island identify Atlantis in all details.

The King Serpent took a liking to the sailor, and gave him a fabulous treasure of gold and gemstones. More frequently, however, the Cherubs or Karibus would resist all intruders, and routinely impaled them as a warning to trespassers.

A cock — very like the weathercocks seen surmounting Christian churches — is shown impaled upon its top as if to suggest its identity with the Cross and the impaling stake it replicates.

The standing scorpions are the same as the Scorpion Men of the Epic of Gilgamesh, a fact that demonstrates the essential unity and continuity of the Judeo-Christian and the Pagan traditions.

This name is also applied to the phallus and to the impaling pole, and we see how the Karibu — whose function is precisely that of the scarecrow so often represented as a man impaled on a pole — very probably denoted the penalty of impalement applied by the Phoenicians on whoever dared to attempt to cross the impassable barriers they imposed on the two accesses to the Outer Ocean.

Among the many etyms of the word Cherub — and they all add in composing the myth — one of the most interesting derives from the Dravida. We noted how the name of the Cherubs or Karibu is related in Genesis 3: Indeed, the Dravidian car denotes a whirling object such as a lighthouse, a flashy sword an inflamed phallus, a car or cart, a wheel, a whirlpool, etc..

The idea of whirling associated with fire or gold or rubies evokes the shiny Mt. Meru, the Whirling Mountain flashing with gold and gemstones.

It also recalls Mt. The word karibu or kar-rubi also evokes the Solar Wheel, the karu or karuvi or impaling pole where criminals were impaled, just as Christ was immolated on the stake or Cross.

Scylla and Charybdis, the Twin Guardians of Hades Indeed, the word Charybdis likewise relates to Cherubs, and also denotes the Whirling Fire or Whirlpool that sucked down the ship of Ulysses and almost killed the Hero himself.

Scylla, its dual, was a lofty pillar guarded by a monster, and was as terrifying as Charybdis itself. The twin terrifiers, Scylla and Charybdis, are allegories of the two Pillars of Atlas and Hercules posted at the two extremes of the world.

As we show elsewhere, the two monsters of Homer are close parallels of the Fiery Linga and the Fiery Yoni of the Hindus, also identified there with the Vadavamukha and the Fiery Pillar or, yet, with the Sumeru and the Kumeru, the sites of their two Paradises.

In some Hindu myths, these Twins are represented as Kubera and Yama, and are shown impaled upon their lofty Pillars, as the archetypes of Christ and Adam, whom they prefigure by several millennia.

Meru; of the impalement of the heroes on the Solar Wheel of the whirling chasm of Charybdis sucking Ulysses down to Hades; of the fiery whirling swords of the Cherubs who guarded the way to Eden; etc.

The odds against the possibility of a random coincidence are too enormous to even consider seriously. According to the historian Hist.

His death sentence was commuted, at the instance of his mother a relative of the king , to the circumnavigation of Africa.

Sataspes departed from Egypt, reaching for Gibraltar and the Mediterranean. But he failed and returned before the rounding of Africa, and was, hence, executed on the impaling pole.

The story of Herodotus is probably an allegory, telling of the death penalty imposed by the Phoenicians on whoever attempted to cross the Strait of Gibraltar the Pillars of Hercules and, hence, undertake the route to India by the rounding of Africa.

A similar death sentence was likewise imposed by the Phoenicians on whoever attempted to cross the Strait of Sunda or Pillars of Atlas , at the entrance of the Pacific Ocean, on the opposite side of the world.

Clearly, they indicate both the way to reach India, and the high toly price of the impediment of the attempt. The word caravela was taken, by the Portuguese, from India, where they also obtained the design of such fast, efficient ships, that allowed their excellent mastery of the high seas.

This remarkable passage suggests a lofty pillar, too tall and too deep to fathom, and too thick to girdle with a string.

Atlantis was both the queen of the seas and the home of the original Phoenicians or Reds , the great navigants ever, after the times of Atlantis.

The Book of Job is deemed the earliest in the Bible, and is hence a reliable though difficult source of early myths and pristine traditions.

But the type of myths, traditions and doctrines is so typically Hindu as to leave no doubts about its ultimate Indian origin. And this seems to imply, at least to us, that the myth of Atlantis, true or not, is verily of Indonesia origin.

Though difficult and obscure, the Book of Job is one of the most profound and disturbing testaments in the Bible, as well as, perhaps, its most beautiful one.

It provides a reliable source and foundation for the matter of Atlantis, one that is subscribed by God himself. A further quote from that remarkable book The passage refers to a circular island surrounded by a circular dike and canal, which was placed in the confines of the world, and was later sunk underseas, becoming an abomination.

What else but Atlantis? We concisely annotated the translation in order to render it more understandable:. The dead giants Rephaim writhe with fear under the earth, And so the waters of the abyss and the inhabitants thereof.

He hath placed Septemtrio over the devastation, And supported the Earth upon the void… He hides the face of his throne, Spreading his clouds upon it.

He has traced a circle above the waters At the boundary of Day and Night. The Pillars of Heaven quake, Swirling at his command.

His breath has cleared the skies, And his hand has pierced the Coiled Serpent Leviathan. The might of his thunderbolt, who can understand? The Darkening of the Skies Some versions precede the first two verses by These above passage merits some discussion.

The darkening of the skies is an usual attendance of Doom, and can be traced to the famous Kumarasambhava of Kalidasha, and to the Rig Veda and other Holy Books of India.

Why do the skies darken and the stars fade out at Doom? Because of the dust thrown up into the stratosphere by the volcanoes and earthquakes that attend the Flood.

What is the mighty thunderbolt of Jahveh? They are the dead Atlanteans, the ancestors of the gigantic Todas of India.

As the passage shows, there are two such places, respectively called Abbadon and Sheol, corresponding to Hades and Tartarus and to Atlantis and Lemuria.

Septemtrio is Ursa Minor, the Polar Constellation. Here, it marks the site of the destruction. We recall how Paradise — the equivalent of Atlantis and Lemuria, as well as their Holy Mountains — is invariably placed under the Pole Star in essentially all mythologies.

The idea derives from the Hindu Tripura, the city of the devils, destroyed by Shiva. Tripura is also the archetype of the Celestial Jerusalem of Revelation, as well as its dual, the Messianic Jerusalem submerged under the seas.

The clouds of smoke that hide away the site of the throne of Jahveh and darken the skies over it is another recurrent mythical motif of the ancients.

In reality the text refers to the immense clouds of dust and smoke generated by the cataclysmic explosion of the pristine Mt.

Atlas or Kumeru, the volcanic peak of Lemurian Atlantis. There a new day conventionally starts when the Sun crosses its zenith. These two are often identified as the Pillars of the Earth, which they support at the two extremes.

They also correspond to the two giants, Atlas and Hercules, the two Titans who perform this task for the Greeks. The Coiled Serpent, Leviathan, closely corresponds to the likewise rounded discus of Vishnu, a sort of circular vajra.

The Standing Serpent and the Coiled Serpent are allegories of the two Holy Mountains, one of which exploded and turned into a circular volcanic crater or caldera, deemed to be the entrance to Hell.

The noise of the explosion is narrated in several Biblical passages, as well as in innumerous Hindu Holy Books. Sumeru, which falls down as a sort of meteorite from the skies.

This fact is shown in detail in our discussion of this remarkable arcane. This vajra is either a Celestial meteorite or a giant volcanic bomb falling from above the Holy Mountain.

They are, at the Terrestrial level, the wall or dam that encircled Atlantis, and the lofty tower called the Pharos or yet, Mt. The Pharos or Lighthouse is the Phallus, the Shivalinga.

And the Coiled Serpent that girthed it is the Yoni, the dam that kept away the seas and protected the Holy City, precisely as affirmed in the text of Job.

The giant Rephaim are an actual people, the ancestors of the Palestinians and other ruddy races that preceded the Aryo-Semites almost everywhere.

They are indeed, the Atlanteans, the rakshasas of Lanka buried underground in Hades or Patala. The Coiled and the Standing Serpents Septemtrio shining over the devastated Atlantis is really an anachronism or an intentional misunderstanding.

Septemtrio is really its dual, the other Pole Star, that of the Linga. Septemtrio is the constellation of the Standing Serpent Rahab , the Pole Star that rules the present era.

At the epoch of Atlantis doom — some 11, years ago — it was Lyra and not Ursa that shone its light upon the dismal scene. Perhaps the Book of Job is really talking of two different eras and two different Atlantises, one destroyed about 11, years ago Atlantis and the other at about 25, years ago, when Polaris was, as today, the Pole Star.

It is clear that Atlantis was built — as are indeed many other Holy Cities patterned after it — as an image or replica of the skies.

The inner ring represented the Polar Circle and the outer, immense one the zodiac. Atlas represented the Polar Axis, and was tangent to this circle.

The ring and the tangent straight line are the attributes of Shamash, the Sun God and of his many aliases, both male and female.

The two objects of the Sumerian Sun god then represent the passage of the eras and of Circular Time, of which Shamash was the Lord, like Shiva.

There can be no doubt about this interpretation, as we show elsewhere. Besides, what do these two peculiar forms represent but the Linga and the Yoni?

These two represent the two Pole Stars and are the supreme i. More exactly, the circle and the tangent straight line represent the Polar Circle and the Polar Axis whirling away the eras on the skies, according to the Precession of the Equinoxes.

This clear-cut image is an irrefutable proof, among many others, that the ancients knew of the Precession of the Equinoxes far before their rediscovery by Hipparchus.

Of course, the gods are not really the Pole Stars, but only the principles behind the image: The two are the two forces or principles that dictate the eras and the fate of Mankind both in the past and in the future.

Abbadon or Apollion is the angel of destruction, the archetype of Apollo. As such, he is Arjuna, who, together with his twin Krishna, the other archer the one of the Golden Bow , destroyed the world.

This destruction of the world is allegorized in India as that of the forest of Khandava, in the beautiful myth entitled The Incending of the Forest, told in the Mahabharata.

The void here means two things. Atlas scraping the skies and penetrating its cloudy canopy as a sort of linga. God is elsewhere described as sitting upon the tip of Mt.

Atlas or Calvary or Kailasa not only in Job and other books, but, indeed, in all mythologies. The Hindu Origin of the Myth of Atlantis.

Introduction The most fundamental technique for decoding myths is to study the several etyms of the toponyms and theonyms that figure in the story, as well as those of the assonances which lend themselves to wordplays with these names.

The Fabric Myths Are Made Of As we said above, in the present work we play with some of these sacred radices in the manner of the ancient bards and mythographers who composed the myths of Atlantis and Paradise.

She is clad with an armor the aegis , and wields her lance and shield both missing the figure. She wears a loose peplos wide dress decorated with snakes.

The Gorgon Medusa represents the Vadava-mukha, that is, the goddess in her most terrifying aspect. The snakes embody her relationship with the Nagas.

And Pegasus represents her relationship with horses Hippias and, again, with the Vadava, the terrible Fiery Mare.

The peplos, with its plaits undulating with the wind, represents the crust of the earth shaking under the effect of the formidable earthquake that destroyed Atlantis.

This piece of bread is offered as an oblation, along with soma, in a sacrament which is the clear counterpart of the Christian Communion.

The radix ad also gave words such as adri, the stone or grail used in Soma preparation. Adri is also a name of the vajra. This etym is extremely important, as it links Atlantis to the fall of the vajra and to the Eucharist or Host.

The Occult meaning is precisely the same in both cases: This is the same as Mt. Calvary, legendarily formed in the same way as Mt. Meru and many other Holy Mountains of Paradise, in diverse mythologies.

This mishap is also ascribed to Jesus and to Krishna, his Hindu archetype. And the assonance with Atlantis adhara denotes precisely the same, with a correlation with Hades, the Bottomless Pit, and the Yoni of the Earth.

Atlas too tall, exceeding allowed limits. This story closely evokes the one of the Tower of Babel. Adam, Lucifer, Prometheus and many other pristine civilizing Heroes are also blamed with the same fault, that of excessive arrogance.

The idea is that Atlantis fulfilled its era and was hence doomed to destruction, as are all things both evil and good. In real terms, the sin of hubris of Atlantis seems to have been that of excessive population, excessive pollution, excessive consumerism and excessive pride in treating the lesser brothers.

These are also the sins of our own era, as is becoming evident. Are we to follow the fate of Atlantis and meet our end soon?

Such etyms are frequent epithets of Purusha and his many counterparts. Dialectically, they recall the King of Tyre of Isaiah ch.

Tyre is there further described as a harlot; a haughty nation, burnt down and turned into a pit; a dealer in ivory and ebony, spices, gemstones and myrrh exclusive produce from India ; the Holy Mountain of God, turned to ashes and then flooded by the sea; etc..

So, Atlantis can well be the Attar-anti or Atta-anti, i. The Hindu archetype of Atlantis was called, in India, Kushathali or Kushasthali, an etym which we will study later in this text.

A variant of this name is Attasthali or Attatthali, all of which are assonances of Atlantis. The idea is that Atlantis Attasthali became Hades, covered with mist or smoke and turned invisible the very etym of Patala and Hades.

And Dionysos, we repeat, was recognizedly a Hindu god, a fact that again shows the Indian origin of the myth of Atlantis. This etymology is the one behind the universal myth of the Great Mother that gave birth to the Sun, but was terribly bunt by thereat.

It can be appended to all the above etyms to improve the assonance with Atlantis. More exactly, this suffix apparently derives from the Dravida tix meaning more or less the same as the Sanskrit desha and, more exactly as dvipa, that is, a sinky island.

The word names a particular constellation which is indeed Ursa Minor, the Celestial Linga. These are the fiery ones who atoned for the salvation of all men.

More exactly, it refers to a volcano, whose smoky plume serves as a sort of lighthouse to guide navigants on their way, like the one who guided the Hebrews in their way out of Sinai.

Tisiphone is the same as Persephone, whose name means the same. More exactly, she is the Fury who punished murderers in Hell. Tisiphone is connected to many legends related to the myth of Atlantis.

The Egg of Brahma The story of the Egg of Brahma — really two eggs, like those of Kronos, in Orphic mythology — esoterically refers to the Primordial Castration of the Androgyne, a recurrent mythical motif.

The two eggs or embryos are the two Paradises where humanity was primordially hatched from the apish ancestors that originated in Africa.

Sometimes the twin eggs are represented as the twin halves of the Yine Yang, one black, the other white. Both etyms refer to Atlas or Atlantis as the first, godlike nation.

The Gates of Paradise Ata denotes the frame of a door. Dvaraka is the true archetype of Atlantis, as we shall see further below.

More than pure legend, the capital of Krishna indeed existed, and its remains were recently found by Indian archaeologists in the Indus Valley, near the site of the famous prehistoric civilization of Harappa and Mohenjo-daro.

This antipodal land of Antichthon figured, from remotest antiquity, in maps such as that of Hecateus of Miletus and others known to Plato and Herodotus.

The origin of the concept can, as usual, be traced to the ancient geographical treatises of the Hindus, which indeed derive from Atlantean traditions.

In fact, many modern scientists postulate such disequilibrum as the cause of Pole Shift. Though their actual dates are relatively recent AD or later , the originals on which these authors based themselves actually date from Atlantean times.

The Hindu doctrines were known to the Greek philosophers, who traditionally went to India to be initiated into this esoteric knowledge.

Very often, misunderstanding the Hindu dvelms, the Greek philosophers transformed them into their absurd Cosmogonic conceptions such as those of Thales, Anaximander, and Heraclitus, among many..

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Atlantis oli paratiisimaisen ylellinen, sekä kukoistava valtakunta, jossa ihmiset elivät loisteliasta elämää.

Kaupunki kuitenkin katosi nopeasti tuhoon ja sen historia on mykistävä. Kaupunki sijaitsi ylängöillä, jossa se kääntyi jyrkkänä mereen. Pohjoisosa oli vuoristoaluetta ja eteläosa alankomaita, jonka tasainen, suorakulmion muotoa hahmotteleva ja vuorten ympäröimä Atlantis oli kiehtova maailma.

Kun vanhempi väki varttui ja sukupolvi vaihtui, samalla perintöaines väheni, atlantislaiset kyllästuivät hiljalleen yltäkylläisyyteen ja ehkäpä juuri ylpeys ja omistushaluisiuus sai heissä vallan.

Atlantislaiset halusivat lähteä suurelle sotaretkelle Eurooppaan. Ateenassa vallitsi tuolloin hedelmällisempi kulttuuri ja kreikkalaiset halusivat ahneuksissaan saada tämän kaupungin itselleen.

Zeus, joka oli ylijumalana tuolloin sai tarpeekseen pahan vallasta ja rangaitsi tätä kansaa ja kutsui jumalansa koolle, jossa hän puhutteli heitä.

Historian kirjat kertovat, että Atlantis vajosi meren syvyyteen maanjäristyksen ja tulvan saattelemana ainoastaan yhdessä vuorokaudessa noin 11 vuotta sitten.

Atlantiksen tarina on aikamoinen tarina vai mitä? Todella vaikutuksellista on miten Atlantiksen tarina on pitänyt ihmisiä otteessaan jo niin monia tuhansia vuosia!

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